A Few PW Reviews...

Note: these reviews may appear differently in their edited, print or internet incarnations.

Fiction Reviews:

The End
by Salvatore Scibona. Graywolf

Publishers Weekly

Starred review. The Italian immigrants in this exceptional debut collide and collapse in a polyphonic narrative that is part novel, part epic prose poem spanning the first half of the 20th century. Costanza Marini, a Cleveland widow who performs abortions of such a high grade that clinicians come take stock of her methods, has decided, among other aspirations, to save Lina, her young seamstress protégée and heiress, from spinsterhood. Intersecting sporadically with the machinations of Mrs. Marini during the sweltering feast of the Assumption is Rocco, the baker of the Italian community of Elephant Park, who is poised to leave his parochial Midwestern enclave for the first time to seek out his lost family. In doing so, he must face America and eventually ends up adrift near the Canadian border while looking for “the New Jersey.” Rocco, whose fate, regrettably, is never explicated, inhabits (and narrates) the novel’s radiant beginning and is emblematic of both Scibona’s calibrated precision and the story’s potent humanity. This ravenous prose offers its share of challenges, but Scibona’s portrayal of the lost world of Elephant Park is a literary tour de force. (May 08)

Will

by Christopher Rush. Overlook

Publishers Weekly

Part literary genesis, part historical thriller, the latest from Rush (A Twelvemonth and a Day, etc.) is an ambitious fresco brimming with bawdy luridness and graphic violence. Rush channels the first-person voice of the world's greatest writer, as a bedridden Will Shakespeare dictates his actual will to a gluttonous lawyer, recounting barbarous Renaissance times—from the plague-ridden streets of “sweltering Stratford” to gory slaughterhouse days before landing his first job at the Rose Theatre, through to the “Bloody Mary burnings” and tortures of the Counter-Reformation (“Ignore the nipples crisped and torn off with white-hot pincers. Ignore the tender tongue, sensitive as a snail, quivering in the vice, while long needles go savagely to work”). Rush doesn’t hesitate to tackle contentious areas of the Bard's enigmatic life, including his unrelenting anticlericalism, the connection to assassinated rival Christopher Marlowe, and the reasons for a master dramatist's turn to sonneteering. Rush singes the senses with descriptions of burning heretics, treacherously butchered bovines (“murder most foul”) and detailed descriptions of intimate body parts. More Rabelaisian in some of its ribald descriptions than Shakespearian (who tended to write less literally, in a somewhat more allegorical vein), the novel occasionally becomes decidedly didactic in parts, as when Will dissects his own Twelth Night. Nevertheless, this voracious soliloquy isn’t merely a highly researched feat of scholarly imagination, it is fairly bursting with life. (Sep 08)

CITY OF REFUGE

by Tom Piazza, HarperCollins

for Publishers Weekly

City of Refuge is a dithyrambic ode to the Big Easy, that “cracked bowl,” which adopted son Craig Donaldson abandons following Hurricane Katrina, along with his home and his stoic, colorful friends, to settle in Chicago with his family. Craig regularly finds himself “almost choking with grief and fury,” a state which seems to alternate with an overpowering self-loathing. The main narrator’s sanguine, temperamental personality—he is “breathless with anger,” or else fighting back tears—is somewhat distracting, clouding an otherwise splendid story of dislocation and transformation. The novel’s other central protagonist, SJ, a black Vietnam veteran and widower from the Lower Ninth Ward, is one of the most compelling literary characters to emerge from the Katrina disaster. Unlike Craig, SJ suffers irremediable losses, material and otherwise, as a result of the Hurricane. In a particularly haunting passage, he hears a plaintive lament in the night but can do nothing, trapped in his own home by the darkness and by rising waters. And when, after relocating to Houston with his sister and nephew, he finally accepts the advances of another woman after years of dogged celibacy, their first physical encounter is a glowing achievement. The supremely moving chronicle of SJ, in fact, would probably suffice to make this an instant American classic. Even though the passages involving the Donaldsons don’t have the same potency, and occasionally read like transcripts from marital therapy sessions, with Tom Piazza, Katrina evacuees have finally found their bard. (Sep 08)

Non-Fiction Reviews:

The Disposable American: Layoffs and Their Consequences
by Louis Uchitelle. Knopf

Publishers Weekly

Devoting a book to the necessity of preserving jobs might just be an exercise in futility in this age of deregulation and outsourcing, but veteran New York Times business reporter Uchitelle manages to make the case that corporate responsibility should entail more than good accounting and that six (going on seven) successive administrations have failed miserably in protecting the American people from greedy executives, manipulative pension fund managers, leveraged buyouts and plain old bad business practices. In the process, he says, we've gone from a world where job security, benevolent interventionism and management/worker loyalty were taken for granted to a dysfunctional, narcissistic and callous incarnation of pre-Keynesian capitalism. The resulting "anxious class" now suffers from a host of frightening ills: downward mobility, loss of self-esteem, transgenerational trauma and income volatility, to name a few. Uchitelle animates his arguments through careful reporting on the plight of laid-off Stanley Works toolmakers and United Airlines mechanics. Descriptions of their difficulties are touching and even tragic; they are also, alas, laborious and repetitive. And Uchitelle's solutions are not entirely convincing: neither forcing companies to abide by a "just cause" clause when they fire someone, for instance, nor doubling the minimum wage are likely to increase employment. Yet Uchitelle's basic argument—that no American government has taken significant steps to curb "the unwinding of social value" caused by corporate greed— is all too accurate. (Mar. 31)

The Fate of Africa: A History of Fifty Years of Independence
by Martin Meredith. Public Affairs

Publishers Weekly

Starred Review. The value of Meredith's towering history of modern Africa rests not so much in its incisive analysis, or its original insights; it is the sheer readability of the project, combined with a notable lack of pedantry, that makes it one of the decade's most important works on Africa. Spanning the entire continent, and covering the major upheavals more or less chronologically—from the promising era of independence to the most recent spate of infamies (Rwanda, Darfur, Zimbabwe, Liberia, Sierra Leone)—Meredith (In the Name of Apartheid) brings us on a journey that is as illuminating as it is grueling. The best chapters, not surprisingly, deal with the countries that Meredith knows intimately: South Africa and Zimbabwe; he is less convincing when discussing the francophone West African states. Nowhere is Meredith more effective than when he gives free rein to his biographer's instincts, carefully building up the heroic foundations of national monuments like Nasser, Nkrumah, and Haile Selassie—only to thoroughly demolish those selfsame mythical edifices in later chapters. In an early chapter dealing with Biafra and the Nigerian civil war, Meredith paints a truly horrifying picture, where opportunities are invariably squandered, and ethnically motivated killings and predatory opportunism combine to create an infernal downward spiral of suffering and mayhem (which Western intervention only serves to aggravate). His point is simply that power corrupts, and absolute power corrupts absolutely—which is why the rare exceptions to that rule (Senghor and Mandela chief among them) are all the more remarkable. Whether or not his pessimism about the continent's future is fully warranted, Meredith's history provides a gripping digest of the endemic woes confronting the cradle of humanity. (July)

More reviews coming soon...